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"Well, Violet was crying (not loudly, you know, but quite comfortably): so then I thought I had been mistaken, and that probably she had a toothache, or a headache, or something, and that the foregoing speech was mere spooning; and I rather lost faith in the situation, when suddenly he said, 'Why do you cry?' And what do you think was her answer? 'Because I am so happy.' Now, fancy any one crying because she was happy!" says Mr. Darling, with fine disgust. "I always laugh when I'm happy. And I think it rather a poor thing to dissolve into tears because a man asks you to marry him: don't you, Mrs. Geoffrey?",

"Did I say all that?" asks Mrs. Geoffrey, with wide eyes. "Indeed, I think you mistake. Old people have wrinkles, and they do not talk as you do. And when one is sweet to look at, one is never old.",

Later on, when they open the paper that had been given by the dead man into the keeping of Dr. Bland, and which proves to be his will, duly signed and witnessed by the gamekeeper and his son, they find he has left to Mona all of which he died possessed. It amounts to about two thousand a year; of which one thousand is to come to her at once, the other on the death of his mother.,

"Go on, Noll," exclaims Dorothy, in her most encouraging tone. "Let Violet hear it. She will understand it."

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"I am sorry I can tell you nothing," says Mona, shaking her head. "I was never in this wood before; I know nothing of it.",

When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good.,

"Mona! what are you going to say to me?",

It is midday, and Geoffrey, gun in hand, is idly stalking through the sloping wood that rises behind Mangle Farm. The shooting he has had since his arrival in Ireland, though desultory,—perhaps because of it,—has proved delightful in his sight. Here coveys come upon one unawares, rising out of fields when least expected, and therefore when discovered possess all the novelty of a gigantic surprise. Now and then he receives kindly warning of birds seen "over night" in some particular corner, and an offer to escort him to the scene of action without beat of drum.